Part 1 Part 2 Parts 345 ------------ ------------ ------------ 02200x / 33201x 320033 32000x 32000x / 200232 / 2000xx xx023x 022030 D/F# 2000xx Capo: 3rd fret [Intro] / |------------| G|--------0------------0-----------0-----------0------------| D|------2---2---------2---2-------0---0-------0---0----------| x4 A|----2-------0h2---2-------2---2-------2---0-------0--------| E|--0------------0-----------3-----------2------------| h = hammer on [Part 1] Holding on that’s what I do since I met you And it won’t be long would you notice if I left you And it’s fine for some ’cause you’re not the one you’re not the one There there there The-er-er-ere there there / / [Part 2] All night long laid on my Pillow these things are wrong I can’t sleep here! / / So lonely so lonely so lonely / / [Part 3] / / / / I have decided to leave you forever I have decided to start things from here Thunder and lightning won’t change what I’m feeling And the daffodils look lovely today And the daffodils look lovely today Look lovely to- day [Part 4] Oooh in your eyes I can see the disguise Oooh in your eyes I can see the dismay Has anyone seen lightning? Has anyone looked lovely? [Part 5] And the daffodils look lovely today And the daffodils look lovely today Look lovely to- day Look lovely Look lovely look lovely look lovely look lovely Look lovely look lovely look lovely look lovely Look lovely look lovely look lovely look lovely Look lovely look lovely look lovely look lovely Na-na na-na na-na Na-na na-na na-na Na-na na-na na-na Na-na na-na na-na na --- Lead Guitar parts --- Riff during Intro: B|---0h8---0h5---0h3---0h1---3p1---0------| |------------| |------------| |------------| |------------| Riff during Parts 3 and 5 e|-----3--------2--------0------------| B|--3-----3--3-----3--3-----3--0h1--0--1--| |------------| |------------| |------------| |------------|

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Couverture du livre Ultra intelligence

À propos de la chanson

Cette chanson exprime le sentiment de désespoir et de solitude ressentis dans une relation amoureuse compliquée. Le narrateur peine à trouver la paix et se sent piégé, aspirant à un changement radical tout en ayant la douleur de devoir quitter l'autre. Les images des jonquilles, qui apparaissent sous un jour positif malgré le tumulte intérieur, soulignent un contraste entre la beauté extérieure et la souffrance émotionnelle. Le contexte évoque souvent des luttes personnelles où le cœur et l'esprit peinent à se retrouver. Parfois, c'est dans l'éloignement et la contemplation que l'on parvient à réaliser ce que l'on désire vraiment, tout en ressentant la tristesse d'une séparation inévitable.