chords: {1 {3 {4 {5 {6 {7 {8 <u>Dm7</u> <u>Dm9</u> <u>Dm11</u> <u>Csus2</u> <u>Dm7</u> <u>Dm9</u> <u>Dm11</u> <u>Csus2</u> Really don't mind if you sit this one out. My words but a whisper -- your deafness a SHOUT. I may make you feel but I can't make you think. Your sperm's in the gutter -- your love's in the sink. So you ride yourselves over the fields and you make all your animal deals and your wise men don't know how it feels to be thick as a brick. And the sand-castle virtues are all swept away in the tidal destruction the moral melee. The elastic retreat rings the close of play as the last wave uncovers the newfangled way. But your new shoes are worn at the heels and your suntan does rapidly peel and your wise men don't know how it feels to be thick as a brick. And the love that I feel is so far away: I'm a bad dream that I just had today -- and you shake your head and say it's a shame. <u>Dm7</u> <u>Dm9</u> <u>Dm11</u> Spin me back down the years and the days of my youth. Draw the lace and black curtains and shut out the whole truth. Spin me down the long ages: let them sing the song. <u>Dm7</u> <u>Dm9</u> <u>Dm11</u> <u>Am</u> <u>D</u> <u>G</u> <u>Am</u> <u>D</u> <u>G</u> 5/0 5/2 5/3 5/2 5/3 4/0 6/3 5/2 electric riff repeats A B C B C D G B } See there! A son is born -- and we pronounce him fit to fight. There are black-heads on his shoulders, and he pees himself in the night. {3 {5 We'll make a man of him {7 {5 {8 {7 put him to trade {3 {5 teach him to play Monopoly and {7 {7 {5 {8 to sing in the rain. {5 {5 {3 {6 {3 {3 {1 {4 {1 (organ solo) <u>Am</u> <u>D</u> <u>G</u> <u>Am</u> <u>D</u> <u>G</u> <u>Am</u> <u>D</u> <u>G</u> <u>Am</u> <u>D</u> <u>G</u> <u>Am</u> <u>D</u> <u>G</u> <u>Am</u> <u>D</u> <u>G</u> <u>Am</u> <u>D</u> <u>G</u> <u>Am</u> <u>D</u> <u>G</u> <u>G</u> <u>Am</u> <u>Asus2</u> <u>Cmaj7</u> (forte) {3 {5 {7 {5 {8 {7 {3 {5 {7 {5 {8 {7 {5 {8 {7 {5 {8 {7 {5 {8 {7 {5 {8 {7 {5 {8 (hold dischord) {7 {7 <u>Em</u> <u>Em</u> <u>Em11</u> <u>Em</u> <u>F#</u> <u>G</u> <u>Am</u> <u>B</u> <u>Em</u> <u>Em</u> <u>Em11</u> <u>Em</u> <u>F#</u> <u>G</u> <u>Am</u> <u>B</u> The Poet and the painter casting shadows on the water -- as the sun plays on the infantry returning from the sea. The do-er and the thinker: no allowance for the other -- as the failing light illuminates the mercenary's creed. The home fire burning: the kettle almost boiling -- but the master of the house is far away. The horses stamping -- their warm breath clouding in the sharp and frosty morning of the day. And the poet lifts his pen while the soldier sheaths his sword. And the youngest of the family is moving with authority. Building castles by the sea, he dares the tardy tide to wash them all aside. (7:14 - solos) (44X) (9:13) {7 {7 The cattle quietly grazing at the grass down by the river where the swelling mountain water moves onward to the sea: the builder of the castles renews the age-old purpose and contemplates the milking girl whose offer is his need. The young men of the household have all gone into service and are not to be expected for a year. The innocent young master -- thoughts moving ever faster -- has formed the plan to change the man he seems. And the poet sheaths his pen while the soldier lifts his sword. And the oldest of the family is moving with authority. Coming from across the sea, he challenges the son who puts him to the run. <u>Bb</u> <u>Bbsus2</u> <u>Bb</u> <u>Bbsus2</u> <u>Bb</u> <u>Bbsus2</u> <u>Bb</u> <u>Bbsus4</u> <u>Bb</u> (10:30) <u>D</u> <u>Dsus2</u> <u>D</u> <u>Dsus2</u> <u>D</u> <u>Dsus2</u> <u>D</u> <u>Dsus4</u> <u>D</u> <u>B</u> <u>C#</u> <u>D</u> <u>C#</u> <u>B</u> <u>A</u> <u>G</u> <u>A</u> <u>B</u> <u>A</u> <u>G</u> <u>F</u> <u>E</u> <u>A</u> <u>A</u> <u>A</u> <u>B</u> <u>C</u> <u>D</u> <u>D</u> <u>D</u> <u>E</u> <u>F</u> <u>A</u> <u>A</u> <u>A</u> <u>B</u> <u>C</u> <u>D</u> <u>D</u> <u>D</u> <u>E</u> <u>F</u> <u>B</u> <u>B</u> <u>B</u> <u>C#</u> <u>D</u> <u>E</u> <u>E</u> <u>E</u> <u>F#</u> <u>G</u> <u>B</u> <u>B</u> <u>B</u> <u>C#</u> <u>D</u> <u>E</u> <u>E</u> <u>E</u> <u>F#</u> <u>G</u> <u>G</u> <u>D</u> <u>Em</u> What do you do when the old man's gone -- do you want to be him? And your real self sings the song. Do you want to free him? No one to help you get up steam -- and the whirlpool turns you `way off-beam.

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Couverture du livre Ultra intelligence

À propos de la chanson

La chanson aborde des thèmes de désillusion et de superficialité dans la société. Elle décrit comment les gens se perdent dans leurs préoccupations matérielles et leurs ambitions, tout en soulignant l'absurdité de certaines valeurs et comportements qui semblent régner. À travers des métaphores riches, l'auteur évoque un regard critique sur les illusions et les rêves détruits par la réalité quotidienne. Le contexte de la chanson est ancré dans une période où la réflexion sur le sens de la vie et la quête d’authenticité étaient des préoccupations partagées. Dans un monde en mutation rapide, elle invite à s'interroger sur la véritable essence de l'existence et sur ce qui vraiment compte pour nous en tant qu'êtres humains.