Ah! They don't make them like this anymore, a good old rock'n'roll tune with not one, but TWO lovely guitar solos to master... ENJOY! intro: - (x8, bass enters 3rd time, keyboards enter 5th time, drums enter 7th time) Bitching 'bout the things we've seen Bitching 'bout the things we'd be Bitching 'bout the loves we've had My oh my it wasn't so bad When we had that to loosen our minds Hey little baby in the front row, be kind (bar bitching) Telling you the gospel truth (bar bitching) Why don't you all go get screwed? (bar bitching) Why don't you tell me something new? (bar bitching) Yeah, bitching Bitching 'bout the Windsor <u>C</u> Bitching 'bout the Western Sea Why can't you all be like a Grainger man? Or even a Pheland man? I'll tell you what we'll meet in Amsterdam And then you'll see what should be really can (bar bitching) Telling you the gospel truth (bar bitching) Why don't you all go get screwed? (bar bitching) Why don't you tell me something new? (bar bitching) Yeah, bitching, that's what I'm talking about Got anything to say? No? Well, shut up... guitar solo (repeat chords - , listen to the recording to get the bends right, he mainly bends the notes a semitone upwards): E------------| B------------| G------------| There's a place with a lot of eyes Strange smoke perfume around the peacock guys And the girls, they move their heat To the impulsive, compulsive beat But that's another place, another time Maybe we'll meet there in quite a short while (bar bitching) Telling you the gospel truth (bar bitching) Why don't you all go get screwed? (bar bitching) Why don't you tell me something new? (bar bitching) Yeah, bitching I really don't know what to say That's gonna happen to us all one day And when it does you can have me too But until then I really don't know what to do I'm just gonna keep on (bar bitching) Telling you the gospel truth (bar bitching) Why don't you all go get screwed? (bar bitching) Why don't you tell me something new? (bar bitching) Yeah, bitching - (x6, over keyboard solo) - () () () E------------12-12-12-12p10------------| B------------12---------| G--11-11-11--9s11-11-11--9s11-11-11------------14-11--| C#m and ) () () () E------------ B-12--10--9------------ G------------9--7--6------------ D------------9-7-6-4---5---5s7----- A------------ E------------ Bar bitching! Bar bitching (x3) E------------| B------------8--8--8--7-8s12-10--10-10--| G--7--7--7--6-7s11-9--9-9------------| D------------| A------------| E------------| E------------10--10--10--9-10s14--12-| B--12--12--12--10-12s15-14--14-14------------| G------------| D------------| A------------| E------------| ends on keyboard chord of , which slowly fades out. googletag.cmd.push(function() { googletag.display('div-gpt-ad-1585323673544-0'); }); ]]>

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Couverture du livre Ultra intelligence

À propos de la chanson

La chanson évoque des réflexions sur les expériences passées et les amours vécues, tout en soulignant le fait que, malgré les hauts et les bas, ces souvenirs ne sont pas si mauvais que ça. Elle aborde également une certaine frustration face aux réactions des autres, invitant à être plus authentiques et ouverts au changement. L'artiste utilise un ton désinvolte pour critiquer ceux qui se plaignent sans rien proposer de nouveau. Le morceau se situe dans un contexte de rock’n’roll classique, avec un style musical qui rappelle les bonnes vieilles traditions du genre, enrichi par des solos de guitare mémorables. Ce mélange de nostalgie et de critique sociale crée une atmosphère à la fois dynamique et réfléchie.