Let me know if there are any mistakes! ** Thank You Enjoy! ** THE RASMUS - DANGEROUS KIND INTRO | | | | | / | Hm | Hm | | | / | Hm | Hm | VERSE G Hm You got me in this situation you got me backed against the wall G Hm Caught in a web of your creation I bet you set me up to fall G Hm Once I thought about it I figured out your wicked ways There’s no doubt about it You’d sell your soul to seal the case (O-OH!) CHORUS You’re the dangerous kind Hm Now look at what you’ve done to me Hm/C# D What you’ve done to me baby You’ve gotta criminal mind Hm Your motive is to plant a seed Hm/C# D Now I’d kill for you baby RIFF (O-OH! O-OOH-OOH-WOAH!) | | / | Hm | Hm | VERSE G Hm You’ve got a shady reputation from bed to bed to man to man G Hm Once you deliver your temptation no one can stop your masterplan G Hm Don’t try to lie about it I don’t believe a thing you say The more you try to hide it the more the lies show on your face (O-OH!) CHORUS You’re the dangerous kind Hm Now look at what you’ve done to me Hm/C# D What you’ve done to me baby You’ve gotta criminal mind Hm Your motive is to plant a seed Hm/C# D Now I’d kill for you baby RIFF (O-OH! O-OOH-OOH-WOAH!) (O-OH! O-OOH-OOH-WOAH!) | | / | Hm | Hm | BRIDGE I’ve been sleeping with the enemy Hm Hm/C# D Now I’m doing the time paying up for the crime Guess you took everything you could from me (O-OH!) CHORUS You’re the dangerous kind Hm Now look at what you’ve done to me Hm/C# D What you’ve done to me baby You’ve gotta criminal mind Hm Your motive is to plant a seed Hm/C# D Now I’d kill for you baby RIFF (O-OH! O-OOH-OOH-WOAH!) (O-OH! O-OOH-OOH-WOAH!) | | / | Hm | Hm | OUTRO Repeat and Fade Out: | G | By:

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Couverture du livre Ultra intelligence

À propos de la chanson

Cette chanson explore les thèmes de la manipulation et de la trahison dans une relation passionnelle. L'interprète se sent piégé par une personne charismatique au caractère dangereux, et il réalise qu'il est entraîné dans un jeu perfide où chaque geste semble calculé. Les paroles révèlent une guerre intérieure face à la séduction et à la tromperie, illustrant comment l'amour peut mener à la destruction. Le contexte est celui d'une lutte émotionnelle entre attraction et méfiance. L'artiste évoque la douleur d'être mêlé à quelqu'un dont les intentions ne sont pas sincères, soulignant ainsi le dilemme entre la passion et le risque de souffrir davantage.