UP THE NECK As recorded by the Pretenders (From the 1979 Album PRETENDERS) [Intro] [Verse 1] Anger and lust My senses running amok Bewildered and deluded Have I been hit by a truck? When my tongue lay inside his lip Felt like the time in the womb But I woke up with a headache that split my skull Alone in the room [Chorus] I got down on the floor with my head pressed between my knees Under the bed with my teeth sunk into my own flesh I said "Baby oh sweetheart" [Interlude] [Verse 2] Lust turns to anger A kiss to a slug Something was sticky On your shag rug look at the tile I remember the way he groaned And moved with an animal skill I rubbed my face in the sweat that ran down his chest It was all very run of the mill [Chorus] But I noticed his scent started to change somehow His face went berserk and the veins bulged on his brow I said "Baby oh sweetheart" [Interlude] [Guitar Solo] [Verse 3] Bondage to lust Abuse of facility Blackmailed emotions confuse The demon and devotee I was sure his intentions were sweet And that mine was as well But a wish is a shot in the dark When your coin’s down the well [Chorus] I got out in the hall with my teeth in my head Up to my neck and I said said said "Dead" I said "Baby oh sweetheart" [Outro]

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Couverture du livre Ultra intelligence

À propos de la chanson

La chanson explore les thèmes de la passion qui se mue en colère, illustrant une relation tumultueuse où les plaisirs se mêlent à la douleur. On y ressent une lutte intérieure, entre désirs intenses et émotions sombres, laissant l’interlocuteur perdu et désorienté. Les images évoquent des souvenirs d’intimité teintés de confusion, où la passion se transforme en un combat contre ses propres démons, comme un reflet des complexités de l’amour. Le contexte des années 70, marqué par la libération sexuelle et les bouleversements sociaux, enrichit cette œuvre. La lutte entre le plaisir et la souffrance, omniprésente dans les relations humaines, trouve un écho particulier dans cette période de remise en question des normes.