Chords:                      e|--0--------0-------0---------0------------| B|--1--------1-------3---------1------------| G|--2--------0-------4---------0------------| D|--3--------2-------5---------2------------| A|--0--------3-------0---------3------------| E|------------| Intro: Listen to the song to get the rhythm right but this is the basic fingering Liam Fray uses e|---0-0-3-1--0-0-0-0--0-0------------0------------| B|---1-1-1-1--1-1-3-1--3-3------------1------------| G|---2-2-2-0--0-0-0-0--4-4------------0------------| D|---3-3-3-2--2-2-2-2--5-5------------2------------| A|------------3-3-3-3-------5-5-7-5-3-5-3-3------------| E|------------| Ill-informed mis-educated dross falls from your face at a rate of not I feel sorry for the one who has to share a bed with you I’d rather be dead than you (whistle) But as per usual my tongue is firmly in cheek I’ll be dreamin up something different next week. It’s for the best if you just switch off I sound self-important like a product of one of the thee troughs No I wouldn’t want that gossiping the day away tit for tat It’s not your fault and it’s just where you go But in terms of reward you reap who you know You’re like anorexic vultures on Oldham Street You build each other up the musical elite I wasn’t invited 4 years ago I’m still not and if I was I wouldn’t show Now don’t get me wrong they do lovely lunches The muppet clintelle what a bunch of c**** Passing judgement on things they don’t know I’d love to walk out and steal the show No I wouldn’t want that gossiping the day away tit for tat It’s not your fault and it’s just where you go But in terms of reward you reap who you know Please don’t think that I’m having a go Please know that you know that I’m having a go It’s about time that you know... No I wouldn’t want that gossiping the day away tit for tat It’s not your fault and it’s just where you go But in terms of reward you reap who you know

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Couverture du livre Ultra intelligence

À propos de la chanson

Dans cette chanson, l'artiste exprime un sentiment de désillusion face à un certain milieu qu'il trouve superficiel et hypocrite. Il évoque l'amitié et les préférences basées sur la notoriété, tout en se moquant des jugements portés par ceux qui ne connaissent pas réellement les choses. L'artiste semble également critiquer les dynamiques sociales au sein du monde de la musique, où l'importance des connexions dépasse souvent le talent ou la créativité. Le contexte est celui d'un milieu artistique parfois inaccessibile et exclusif, qui peut laisser ceux qui ne sont pas dans le "cercle" se sentir exclus ou dévalorisés. Ce constat amène à une réflexion sur les relations humaines et l'authenticité dans un monde souvent façonné par des apparences.