I saw your daughter yesterday as I was idle on the porch she slept-walked from your house down the walkway as though she’d done it all before and the moon was out Interlude: and in her gown beside the riverbed she got down on her knees and wrapped her long hair up in vines and leaves and branches and with the wind beneath her feet oh she waltzed with the dead Interlude: and everything was bathed in light white as milk as the impossible began she danced across the water’s edge but her feet they didn’t sink as though she flew                  I ran out in the water with a lantern in my hand I was waste deep and shivering I took her wrist and walked her in I was loathe to interrupt her but I had to get her home if people were to see this they’d gather up raise hell and burn her alive                don’t you mind don’t you mind she’ll be fine tie a bell around her ankle before she lays down at night and the sound of her footsteps will wake me in time don’t you mind don’t you mind I’ll watch over her as though she were mine

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Couverture du livre Ultra intelligence

À propos de la chanson

La chanson évoque la rencontre d'un narrateur avec la fille d'un voisin, qui semble être en état de somnambulisme. En s'approchant, il la voit errer près d'une rivière, enivrée par un monde presque irréel où elle danse avec des esprits. Tandis qu'elle évolue gracieusement sur l'eau sans jamais y couler, il ressent à la fois une fascination et une impulsion protectrice. Il se précipite alors pour la ramener chez elle, bien que cela perturbe son rêve délicat. Pour rassurer l'auditeur, il promet de veiller sur elle, comme s'il s'agissait de sa propre fille, soulignant une profonde connexion et un sens de responsabilité. La chanson mélange ainsi les thèmes de la protection, de la beauté du rêve et des dangers du monde extérieur.