Composer: Paul McCartney Originally the 'B' side of the 'Another day' hit single release TWO TABBED VERSIONS: the first with clean chords, followed by a version using power chords for an overdriven electric guitar A = x02220 Bm7 = x24232 D = xx0232 Cm7 = x35343 G = 320033 C#m7 = x46454 A7 = x02223 Dm7 = x57565 Please select a star rating for these tabs, many thanks =============================================================== [Intro] (4 bars drums) ||: / / / / | / / / / :||[x2] ||: / / / /__/ | / / / /__/ :|| [x4] [Chorus] Oh, woman, ...oh, why, why, why, why, why? What have I done? Oh, woman, ...oh, where, where, where, where... Where'd you get that gun? Oh, what have I done? Oo, what have I done? | / / / / | / / / /__/ | [Verse 1] ||: / / / /__/ | / / / /__/ :|| [x2] Well, I met her at the bottom of a well, (...of a well!) Well, I told her I was trying to break a spell, (Break a spell!) But I can't get by, my hands are tied, I don't know why I ever got her to try my - self, 'Cause I can't get by, since my hands are tied! Oo! [Chorus] Oh, woman, ...oh, why, why, why, why, why? What have I done? Oh, woman, ...oh, where, where, where, where... Where'd you get that gun? Oh, a -what have you done? A - Woman, what have you done? No, no, no, ...baby, baby! ...Hoo! [Verse 2] ||: / / / /__/ | / / / /__/ :||[x2] Well, I'm fed up with your lying cheating ways, (Cheating ways!) But I get up every morning, and up every day, (Every day!) But I can't get by, my hands are tied, I don't know ...why I even wanted to try my - self, 'Cause I can't get by, since my hands are tied! Oo! [Chorus] Oh, woman, ...oh, why, why, why, why, why? What have I done? Oh, woman, ...oh, where, where, where, where... Where'd you get that -a ...gun? Hoo -oo! Woman, what have... what have I done? What have you done? You don't have a gun! [Coda - Repeat and ad-lib] ||: / / / /__/ | Oh, woman, why? Baby, baby! :|| ================================================================ ================================================================ Song: Oh woman oh why Artist: Paul McCartney Composer: Paul McCartney Album: Ram (Bonus track) A5 = 577xxx B5 = x244xx D5 = 10 12 12 x x x C5 = x355xx G5 = 355xxx C#5 = x466xx A7 = 5756xx D5 * = x577xx ================================================================= [Intro] (4 bars drums) ||: / / / / | / / / / :||[x2] ||: / / / /__/ | / / / /__/ :||[x4] [Chorus] Oh, woman, ...oh, why, why, why, why, why? What have I done? Oh, woman, ...oh, where, where, where, where... Where'd you get that gun? Oh, what have I done? Oo, what have I done? | / / / / | / / / /__/ | [Verse 1] ||: / / / /__/ | / / / /__/ :||[x2] Well, I met her at the bottom of a well, (...of a well!) Well, I told her I was trying to break a spell, (Break a spell!) But I can't get by, my hands are tied, I don't know why I ever got her to try my - self, 'Cause I can't get by, since my hands are tied! Oo! [Chorus] Oh, woman, ...oh, why, why, why, why, why? What have I done? Oh, woman, ...oh, where, where, where, where... Where'd you get that gun? Oh, a -what have you done? A - Woman, what have you done? No, no, no, ...baby, baby! ...Hoo! [Verse 2] ||: / / / /__/ | / / / /__/ :||[x2] Well, I'm fed up with your lying cheating ways, (Cheating ways!) But I get up every morning, and up every day, (Every day!) But I can't get by, my hands are tied, I don't know why I even wanted to try my - self, 'Cause I can't get by, since my hands are tied! Oo! [Chorus] Oh, woman, ...oh, why, why, why, why, why? What have I done? Oh, woman, ...oh, where, where, where, where... Where'd you get that-a ...gun? Woman, what have... what have I done? What have you done? You don't have a gun! [Coda - Repeat and ad-lib] ||: / / / /__/ | Oh, woman, why? Baby, baby! :||

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Couverture du livre Ultra intelligence

À propos de la chanson

Cette chanson exprime un profond sentiment de désespoir et de confusion face à une relation tumultueuse. Le protagoniste ressent un sentiment d'impuissance, se demandant ce qu'il a fait de mal et où tout a basculé. Il évoque une rencontre peu conventionnelle et révèle ses luttes avec les mensonges et la trahison, tout en étant conscient que ses efforts pour changer la situation sont vains. Le contexte de cette œuvre s'inscrit dans les années 70, période marquée par une exploration musicale innovante et des réflexions introspectives sur les relations amoureuses. La mélodie mélancolique accompagne parfaitement des paroles qui interrogent la nature des liens humains et la douleur qui peut en découler.