Not entirely sure about some parts of this - comments/corrections welcome!          - 3-2-1 We came to fuck Everybody party ’til the gasman comes Sparkle like Bowie in the morning sun And get a parking violation on La Brea ’til it’s done Hair back collar up jet black so cool! Sing it like the kids that are mean to you c’mon When you wanna be a movie star (c’mon!) Play the game and take a band real far (c’mon!) Play it right and drive a Volvo car (c’mon!) Pick a fight at an airport bar The kids don’t care if you’re alright honey Pills don’t help but it sure is funny Gimme gimme some of that vampire money c’mon!          - Oh you look like somebody I used to love 3-2-1 we got the bomb Everybody hurry ’til the taxman comes Glimmer like Bolan in the morning sun And get your finger on the trigger Tap the barrel of the a gun Hair back motherfucker! Jet black so cool Sing it like the kids that are mean to you (c’mon!) When you wanna be a movie star (c’mon!) Play the game and take a band real far (c’mon!) Play it right and drive a Volvo car (c’mon!) Pick a fight at an airport bar The kids don’t care if you’re alright honey Pills don’t help but it sure is funny Gimme gimme some of that vampire money c’mon! 1234! Well 3-2-1 We came to fuck Everybody party ’til the gasman comes Sparkle like Bowie in the morning sun And get a parking violation on La Brea ’til it’s done Hair back collar up jet black so cool! Sing it like the kids that are mean to you (c’mon!) When you wanna be a movie star (c’mon!) Play the game and take a band real far (c’mon!) Play it right and drive a Volvo car (c’mon!) Pick a fight at an airport bar The kids don’t care if you’re alright honey Pills don’t help but it sure is funny Gimme gimme some of that vampire money c’mon! C’mon! On On On     On On!

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Couverture du livre Ultra intelligence

À propos de la chanson

La chanson évoque une ambiance de fête sauvage et désinhibée, où les protagonistes plongent dans une vie aux limites de l'excès. Ils célèbrent une quête de la célébrité et des plaisirs éphémères, tout en affrontant les réalités souvent cruelles de la jeunesse. Les références à des icônes de la culture pop, comme Bowie, renforcent cette atmosphère d'insouciance et de rébellion. Le contexte vague mais captivant fait écho à une époque où l'expression de soi et la recherche d'adrénaline dominent, malgré les dangers qui rôdent. Il y a cette tension entre la recherche de sensations et les conséquences inattendues de ces choix, comme une lutte permanente entre rêve et réalité.