Song: Don’t Interrupt The Sorrow Music/Lyrics: Joni Mitchell Artist: Morrissey Chord proposal: Mats Fagergren 2020. Remark: Normally this famous song from Joni Mitchell require that you tune your guitar like this : DGDGBD. That specific tuning does not work in the Morrissey version so I stick to std tuning. There are however several similarities with Joni’s original version and that is the "add11-chords" that gives this song its special harmoney-charcter. It is rather tricky to here which chord the strumming guitar play in the Morrissey version I have tried to summarize the guitars and the base to "one" chord(guitar)..which lead to some "errors" so I am opend to constructive feedback regarding the chord proposals below The chords I propose shall be played according to my instructions . Chord D xx0232 F xx3211 or 133211 Fsus2 xx3013 or xx3011 Fmaj7sus2 xx3010 A/D xx0220 Ebmaj7sus2/Bb x11331 or 668766 (Bb(add11)) G xx5433 or 320033 G6sus2/D xx0230 G5/D xx0033 Cmaj7sus2/G 335433 (G(add11)) Fmaj7sus2/C x33553 or 8810988 (C(add11)) [intro] | G6sus2/ Fmaj7sus2 Fsus2 | Ebmaj7sus2/ | Ebmaj7sus2/ | | Fmaj7sus2 / | Cmaj7sus2/ | Cmaj7sus2/ | | | Fmaj7sus2 | Fmaj7sus2 | | | | | | [Verse 1] Don’t interrupt the sorrow You’re darn right In flames our prophet witches Be polite A room full of glasses He says "Your notches liberation doll And he chains me with that serpent to that Ethiopian wall [Verse 2] Anima rising Queen of Queens Wash my guilt of Eden wash and balance me oh Anima rising Uprising in you tonight A vengeful little goddess with an ancient crown to fight [Verse 3] Truth goes up in vapors the steeples lean Wind of change patriarchs snug in your bible belt dreams God goes up the chimney Like childhood Santa Claus The good slaves love the good book a rebel loves a cause [interlude] | G6sus2/ Fmaj7sus2 Fsus2 | Ebmaj7sus2/ | Ebmaj7sus2/ | | Fmaj7sus2 / | Cmaj7sus2/ | Cmaj7sus2/ | | | Fmaj7sus2 | Fmaj7sus2 | | | | | | [Verse 4] I’m leaving on the 1:15 You’re darn right Since I was seventeen I’ve had no one over me I say "Anima rising But so what? Petrified wood process tall timber down to rock!" [Verse 5] Don’t interrupt the sorrow darn right "We walked on the moon Just lookin’ for light" Don’t you see the sorrow Of death and birth and death and birth? "Bring that bottle kindly and I’ll pad your purse I’ve got a head full of quandary and a mighty mighty thirst" [Verse 6] Seventeen glasses Rhine wine Milk of the Madonna Clandestine Don’t let up the sorrow All lies lies and cheats You need a heart like Mary’s should your man get weak [outro] | D | ( x 12 )

Du même artiste

Sorry Doesn't Help

Sorry Doesn't Help

All The Lazy Dykes

All The Lazy Dykes

I Can Have Both

I Can Have Both

Kiss Me A Lot

Kiss Me A Lot

Moonriver

Moonriver

We'll Let You Know

We'll Let You Know

Alsatian Cousin

Alsatian Cousin

I Don't Mind If You Forget Me

I Don't Mind If You Forget Me

Sister I'm A Poet

Sister I'm A Poet

Have-a-go Merchant

Have-a-go Merchant

Couverture du livre Ultra intelligence

À propos de la chanson

Dans cette chanson, l'auteur évoque le poids du chagrin et des luttes personnelles. Il semble s'adresser à une figure divine ou une force spirituelle, tout en réfléchissant sur la complexité de l’existence humaine. Des thèmes comme la libération, le souvenir d'un passé trouble et l'affrontement des vérités difficiles sont présents. Le ton est à la fois méditatif et provocateur, invitant à ne pas minimiser la souffrance qui accompagne la vie. Dans un cadre plus large, cela pourrait être interprété comme une critique des normes sociétales et des faux-semblants qui nous entourent. L’idée de chasser la légèreté et de se confronter à nos réalités les plus sombres résonne tout au long des vers.