(intro) 1. When I was a curly headed baby my daddy sat me down upon his knee. He said "Boy you go to school and learn your letters don’t you be a dirty miner like me." I was born and raised in the mouth of the Hazard Hollow coal cars rambled past my door Now they’re standing in an empty row all dusty and the L & N don’t stop here anymore. 2. Well I used to think my daddy was a black man with script enough to buy the company store. Now he goes downtown with his pockets empty and his face is white as the February snow. I was born and raised in the mouth of the Hazard Hollow coal cars rambled past my door Now they’re standing in an empty row all dusty and the L & N don’t stop here anymore. ( ) 3. Last night I dreamed I went down to the coal yard to draw my pay just like I?d done before. Them ol’ kudzu vines were coming through the window and the weeds and grass were growing through the floor. I was born and raised in the mouth of the Hazard Hollow coal cars rambled past my door Now they’re standing in a rusty row all empty and the L & N don’t stop here anymore. And the L & N don’t stop here anymore.

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À propos de la chanson

La chanson évoque le souvenir d'un enfant aux prises avec la dure réalité de la vie minière. Son père lui conseille de ne pas emprunter le même chemin, de chercher une éducation pour échapper au sort des mineurs. En grandissant, il constate avec amertume que les temps ont changé : les trains qui passaient autrefois en ce lieu sont désormais à l’arrêt, laissant derrière eux un paysage déserté et poussiéreux, symbole d'un passé révolu. La nostalgie et le déclin économique de la région, autrefois dynamique grâce à l'industrie, s'expriment à travers des images de friche et d'oubli. Tout cela montre la lutte entre les espoirs d’un futur meilleur et la réalité accablante d’un héritage difficile.