e|------------| B|-8----10---12------------| G|-9----10---12------------| D|-10---10---12------------| A|-10---8----10------------| E|------------| So you went to a party at Jacqueline Onassis If you’re so smart why don’t you wear glasses? So you can see what you’re doin’ to me So you can see what tomorrow might bring Underneath your breath you know I heard you cussin’ You were talkin’ to my second cousin Were you talkin’ about me? Were you talkin’ about me? You better put on your glasses babe so you can see So you can see what tomorrow might bring Can your daddy get us backstage passes? You know that we love to dance Can your daddy give us backstage passes With all his political powers? With all his political powers? With all his political powers? It seems like to me you could dance better than you do So you went to a party at Jacqueline Onassis If you’re so smart why don’t you wear glasses? So you can see what you’re doin’ to me So you can see what tomorrow might bring Can your daddy get us backstage passes? You know that we love to dance Can your daddy give us backstage passes With all his political powers? With all his political powers? With all his political powers? Don’t you wish you could make ’em dance

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À propos de la chanson

La chanson évoque une soirée à laquelle assiste une personne intrigante, entourée de glamour et de pouvoir, en l’occurrence une figure célèbre. Le narrateur remet en question les intentions de cette personne, la poussant à prendre conscience de l'impact de ses actions sur lui. Il exprime également un désir de proximité avec le monde du spectacle, interrogeant les avantages que les relations politiques pourraient apporter pour accéder à des événements exclusifs. Cette dynamique souligne à la fois la fascination pour le monde des célébrités et les sentiments de désillusion qui peuvent en résulter.