Intro : F#m - C#m (2x) Verse: F#m - C#m (just Repeat through the verse) Is there something wrong with the way you feel? ’Cause you’ve been acting like you’re overloaded Been going on like you got something to prove You better keep it in mind Maybe it’s too hot out on the black top nobody else is gonna save you you’re pretty uptight for being downtown. I’ve been all up all night. Chorus: And I waited Waited for something to arrive Gotta keep this beat alive but she keeps me satisfied And I waited Waited for something to be real When it’s pouding in your ear doesn’t matter what you feel Where do we go from here? The future’s so unclear you’re such a doll my dear SOLO 1 Verse: Well there’s nothing wrong with the way you look But you’ve been acting like you’re up to no good you’re playing me like I’ve got nothing to lose You better keep it in line I’m not gonna get off until the last stop and nobody else is gonna save me Turn the heat up for the meltdown I’ve been up all night Chorus: And I waited Waited for something to arrive Gotta keep this beat alive but she can’t be satisfied And I waited Waited for something to be real When it’s pouding in your ear doesn’t matter what you fear Where do we go from here? The future’s so unclear you’re such a doll my dear SOLO 2 And I waited!

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À propos de la chanson

La chanson aborde les frustrations et les attentes dans une relation. Elle met en lumière le sentiment d'impatience face à une partenaire qui semble distante et préoccupée, comme si elle avait quelque chose à cacher ou à prouver. L'artiste exprime son désir de quelque chose de réel et de sincère, tout en se questionnant sur l'avenir incertain de leur lien. Le contexte tourne autour des défis relationnels, souvent teintés de tension et d'incompréhensions, où l'on se retrouve à se demander si l'autre ressent véritablement les mêmes choses. La mélodie et les paroles illustrent une lutte intérieure, évoquant l'importance de la communication et de la transparence entre les deux personnes.