You don’t have to hide your baby you don’t have to go get no gun Oh how can you blame me for things I ain’t never done I used to live here and now I’ve come back again Just to stop for awhile and think how things might have been I had to come back to remember the joy and the pain And if it’s alright with you before I get back on the train I just want to see Montgomery in the ra-in Around these streets and old houses a whole lot of changes I’ve been thru From the top of the town to feeling down washing cars and shining shoes I once met a woman here with ways like I’ve never seen And we use to ramble from here to old New Orleans I had to come back to remember the joy and the pain But it won’t be long till I’m gone cause it ain’t the same But I did want to see Montgomery in the ra-in I’ve just came back here to stare at an old window pane For one last look before you tear it all down with your crane You don’t have to hide your baby You don’t have to go get no gun Don’t you stare like I’m crazy just cause I am Hank’s only son I had to come back to remember the joy and the pain But it won’t be long till I’m gone cause it ain’t the same So if its alright with you before I get back on the train I’m gonna go out to Hank’s tombstone and cry up a thunderstorm chain Cause I’ve got to see Montgomery in the ra---in Outro Solo No Capo Chords - -> -> -> -> ->

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Couverture du livre Ultra intelligence

À propos de la chanson

Dans cette chanson, l'artiste exprime un retour dans une ville qu'il a connue, remplie de souvenirs à la fois joyeux et douloureux. Il évoque la nostalgie des moments passés, des rencontres marquantes et des changements de vie qui l'ont affecté. Il ressent le besoin de revenir sur ses pas pour contempler ce qui reste de son passé, tout en sachant que tout risque de disparaître. Ce retour lui permet aussi de se reconnecter à des émotions profondes, même s'il sait que ce ne sera que temporaire. Le contexte est celui d'un voyage introspectif, où la ville de Montgomery, avec ses rues et ses vieux bâtiments, devient le théâtre de ses réflexions sur le temps qui passe et sur les souvenirs qui l'habitent.