From: “Tango in the Night” (1987) Asus2 x-0-2-2-0-0 A5 x-0-2-2-x-x G6add9 3-x-0-2-0-0 Asus2/F# 2-x-2-2-0-0 B5 x-2-4-4-x-x C#5 x-4-6-6-x-x D5 x-5-7-7-x-x ------------ [Intro] | G6add9 | % | Asus2/F# | % | [Verse] It’s not home And it’s not Tara In fact do I know you Have I been here before This is a dream right Deja Vu Did I come here on my own Oh I see [Chorus] Welcome to the room Sara for Scarlett Welcome to the choir sir [Verse] Ooooh Missionary Well I will be different When I get back And you can take all of the credit You say everything’s fine baby But sometimes at night [Chorus] Where the first cut is the deepest one of all (Scarlett) The first cut is the deepest one of all - And the second one Well it’s a worthless thing so Take it aaa-aaall the way back home take it home [Middle 8] Ooh downstairs where the big old house is mine Ohh upstairs where the stars laugh and shine Oh oh well I thought that you were mine Well I thought that you were mine (thought that you were mine) [Outro] (chorus pattern ad lib) Welcome to the room Sara Sara (for Scarlett) Welcome to the choir sir Well of course it was a problem (for Scarlett) Front line baby Well you held her prisoner and after all these years Well as well as you knew her (Welcome ...) In the never forgotten words of another one of your friends In the never forgotten words of another one of your friends baby When you hang up that phone well you cease to exist Welcome to the room Sara Welcome ... (fade out)

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À propos de la chanson

Cette chanson évoque un mélange de nostalgie et d'introspection, où le narrateur semble se retrouver dans un lieu chargé de souvenirs, mais qui ne semble pas vraiment familier. Il exprime un sentiment de déjà-vu, comme si ses expériences passées le hantaient. Au fil des paroles, il parle de promesses de changement et de moments de douleur, en soulignant la complexité des relations humaines. Le thème principal tourne autour de l'accueil dans un espace intime et chargé d'émotions, un endroit qui rappelle des histoires vécues et des sentiments de perte. La mention de "Sara" et "Scarlett" ajoute une dimension personnelle, comme si ces figures symbolisaient des rêves inachevés ou des amours perdus. C'est une réflexion profonde sur la mémoire et la manière dont nos choix passés peuvent influencer notre présent.