Composer: Elvis Costello If you want to miss the descending bass note at the end of all the verses it could instead be played as... ...that would follow him a - round! Elvis just goes straight for the B7 rather than the B major... ...that would follow him around! On the record and in early TV appearances he plays E4 chords in the intro and verses. In some later concert videos Elvis plays F#m11 instead of the E4 chords. In the choruses Elvis just plays a straight E chord the E/G# is suggested by the bass guitar progression. = 022100 = x24442 = x02220 = 022200 / = x04442 dim = x1232x = x44200 / = 4x444x = x21202 C#m = x46654 Please select a star rating for this tab many thanks ============================================================================= [Intro] | / / / / | / / / / | / / / / | / / / / | [Verse 1] So this is where he came to hide----- when he ran from you? In a private detective overcoat and dirty dead men’s shoes The pretty things of Knightsbridge ...lying for a Minister of State Are a far cry from the nod and wink here at Traitors’ Gate ’Cause the high heel he used to be has been ground down And he listens for the footsteps that would follow him a - round---------! [Chorus 1] To murder my love is a crime------ But will ...you ...still--- love-------- a man out of time------? [Link] | / / / / | / / / / | / / / / | / / / / | [Verse 2] There’s a tupenny ha’ppenny millionaire Looking for a fourpenny one With a tight grip on the short hairs of the public imagination For his private wife and kidssomehow real life becomes a rumour Days of Dutch courage just three French letters And a German sense of humour () He’s got mind like sewer and heart like fridge He stands to be insulted and he pays for the privi - lege----------! [Chorus 2] To murder my love is a crime------ But will ...you ...still--- love-------- a man out of time------? [Link | / / / / | / / / / | / / / / | / / / / | [Verse 3] The biggest wheels of industry ...retire sharp and short And the after-dinner overtures are nothing but an afterthought Somebody’s creeping in the kitchen there’s ...a reputation to be made Whose nerves are always on a knife’s edge And who’s up late polishing the blade? Love is always scarpering or cowering or fawning You drink yourself insensitive and hate your - self in the morning! [Chorus 3] To murder my love is a crime------ But will ...you ...still--- love-------- a man out of time------? [Coda] Will ...you ...still--- love-------- a man out of time-----? Will ...you ...still--- love------- ...a man out of time? | / / / / | / / / / | / / / / | / ||

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À propos de la chanson

La chanson évoque l'angoisse et la mélancolie d'un homme qui se sent hors du temps, perdu dans un monde qui lui échappe. Ce personnage, habillé de manière décalée, semble fuir un passé révolu et des relations fragiles, se questionnant sur la possibilité d'être aimé malgré ses erreurs et son incapacité à s’adapter à son environnement. Les parallèle entre ses souvenirs et la dure réalité qu'il affronte mettent en lumière une lutte intérieure profonde. Dans un contexte plus large, on perçoit un reflet des tensions sociétales et d'un désenchantement vis-à-vis des valeurs modernes. Ce témoignage poignant de l'isolement et de la quête d'amour illustre un besoin fondamental de connexion et de compréhension dans un monde souvent cruel.