Born Under A Bad Sign - Cream from the Album Wheels of Fire allows it to be adapted easily. The opening riff is played over the chorus by both lead and bass except when soloing. I have left the original Albert King lyrics in Cream leave out verse 2. Clapton adds a variety of riffs at the end of each line. [Opening Riff] |------------| G|---------3------------3------------| D|-----3h5-3-5------------3h5-3-5-----------| A|-3h5---------3h5-5------3h5---------3h5-5-----| E|------------6-3------------6-3-| [Chorus] Born under a bad sign I’ve been down since I began to crawl If it wasn’t for bad luck I wouldn’t have no luck at all [Riff] (played over each verse) |------------| G|-------3------------3------------| D|-----3-3-5------------3-3-3-5-----------| A|-3h5-------3h5-5-----3h5---------3h5-5-----| E|------------6-3------------6-3-| [Verse 1] Bad luck and trouble’s my only friend I’ve been down ever since I was ten [Chorus] [Verse 2]* (omitted in Cream version) I can’t read never learned how to write My whole life is one big fight [Chorus] [Verse 3] Oh wine and women is all I crave A big legged woman’s gonna carry me to my grave [Chorus] [Solo] [Verse 1] (repeated) Born under a bad sign I’ve been down since I began to crawl If it wasn’t for bad luck I wouldn’t have no luck If it wasn’t for real bad luck I wouldn’t have no luck at all Born under a bad sign Born under a bad sign ************************************ | h Hammer-on ************************************

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À propos de la chanson

Cette chanson évoque le sentiment de malchance qui semble hanter le narrateur depuis son enfance. Il se sent accablé par des épreuves incessantes, comme si une ombre pesante l'accompagnait en permanence. La lutte contre l’adversité fait partie intégrante de sa vie, marquée par des difficultés constantes et une incapacité à trouver la paix. Le protagoniste semble résigné à son sort, évoquant des plaisirs éphémères, comme le vin et les femmes, qui lui apportent un répit momentané de son existence tumultueuse. Ce récit de souffrance et de désespoir évoque un réalisme brut, ce qui rend l’ensemble profondément humain.