Intro: - - () - - - () - - - - - () (Aa - hahahaa () Aa - haha - hahahaa - aa Aa - hahahaa () Aa - haha - hahahaa - aa) () () I've got one hand on your door, () one hand in my pocket, the world is on my shoulders () and I'm tryin' to get to you. Gettin' pretty worried, () now that Ronnie's in the office, I shouldn't let it get to me, there's nothin' I can do. Chorus: I think that you should know by now you've done the damage, now it can't be changed, So give me one good reason, One good reason to stay. () (Aa - hahahaa () Aa - haha - hahahaa - aa Aa - hahahaa () Aa - haha - hahahaa - aa) Well, I knew that you were sleepin' and I didn't wanna wake you () 'cause that troubled look I got might make you change your mind. () There's no need for conver - sation, there's no reason to for - sake you, () I was lookin' for the answers, but there's nothin' there to find. Chorus: I think that you should know by now you've done the damage, now it can't be changed, So give me one good reason, One good reason to stay. () - - Ooh Just give me one good reason, - - - () to stay - - - () - to stay ... Yeah - - - - () - - - () Can?t wait all night Break: (Aa - hahahaa () Aa - haha - hahahaa - aa Aa - hahahaa) Oohohoo! () (Aa - haha - hahahaa - aa Aa - hahahaa () Aa - haha - hahahaa - aa Aa - hahahaa () Aa - haha - hahahaa - aa Aa - hahahaa () Aa - haha - hahahaa - aa Aa - hahahaa) Yeah, one hand, Baby ( ) (Aa - haha - hahahaa - aa Aa - hahahaa () Aa) - Rough on my (haha - ) shoulder (hahahaa - aa Aa - hahahaa () Aa - haha - hahahaa - aa Chorus: I think that you should know by now you've done the damage, now it can't be changed, So give me one good reason, One good reason to stay. () - - Ooh Just give me one good reason, One good reason to stay. () - - Ooh Just give me one good reason, One good reason to stay. () - - Ooh Just give me one good reason, ... - - - () - to stay - - - - () - - - - () One! - - - () One! Outro: (Aa - ) Yeahh! (hahahaa () Aa - haha - hahahaa - aa (Aa - ) One good! (hahahaa () Aa - haha - hahahaa - aa Aa - hahahaa () Aa - haha - hahahaa - aa Aa - hahahaa () Aa - haha - ) One good (hahahaa - ) reason (aa Aa - hahahaa () Aa - haha - ) Oohh (hahahaa - aa Aa - hahahaa () Aa - ) Just one (haha - ) good (hahahaa - aa Aa - hahahaa) Oooh! () (Aa - ) Yeahh! (haha - hahahaa - aa Aa - hahahaa) Woaw () (Aa - haha - hahahaa - aa yeah Aa - hahahaa () Aa - haha - hahahaa - aa Aa - hahahaa () Aa - haha - hahahaa - aa Aa - hahahaa () Aa - haha - hahahaa - aa ooh //

Du même artiste

She's A Little Too Good For Me

She's A Little Too Good For Me

To really love a woman

To really love a woman

When The Night Comes

When The Night Comes

You're Beautiful

You're Beautiful

She Knows Me

She Knows Me

Jealousy

Jealousy

You're Still Beautiful To Me

You're Still Beautiful To Me

Is Your Mama Gonna Miss Ya?

Is Your Mama Gonna Miss Ya?

Do To You

Do To You

Getaway

Getaway

Couverture du livre Ultra intelligence

À propos de la chanson

La chanson parle d'un conflit émotionnel où une personne se retrouve face à des incertitudes dans une relation. Elle exprime un sentiment d'inquiétude quant à l'avenir et à la loyauté de l'autre, tout en demandant une raison valable pour continuer à s'accrocher malgré le malaise. L’intensité des doutes et des blessures est palpable, laissant la question ouverte de savoir si l'amour vaut vraiment la peine de lutter. Dans un contexte de séparation ou de tensions relationnelles, cette performance touche à des expériences universelles d’hésitation et de vulnérabilité, où l'interlocuteur cherche désespérément une raison de persister dans une connexion qui semble compromise. C'est une réflexion sur le besoin de clarté et de réassurance dans des moments de turbulences affectives.