---------s----------|------------|------------|-----------| -6--6-6-65vvvv--5---s------------|------------|-----------| ---------|----------75vvvv----------s----------5-|-7vvvv-7-7-| ---------|----------|-------4-5-7-8/7vvvv--7-8---|-----------| ---------|----------|------------|------------|-----------| ---------|----------|------------|------------|-----------| ------------|-------|-------| -5vvvv--5---5-|-6vvvv-|--s-s--| ----------7---|-------|-5/75--| ------------|-------|-------| ------------|-------|-------| ------------|-------|-------| Your mama’s yapping in the backseat Tell her to push over and move them big feet Every Monday morning I gotta drive her down to the unemployment agency Well this morning I ain’t fighting tell her I give up Tell her she wins if she’ll just shut up But it’s the last time that she’s gonna be riding with me And you can tell her there’s a hot sun beating on the black top She keeps talking she’ll be walking that last block She can take a subway back to the ghetto tonight Well I got some beer and the highway’s free And I got you and baby you’ve got me | Hey hey hey what you say Sherry Darling Now there’s girls melting on the beach And they’re so fine but so out of reach Cause I’m stuck in traffic down here on 53rd Street Now Sherry my love for you is real But I didn’t count on this package deal And baby this car just ain’t big enough for her and me So you can tell her there’s a hot sun beating on the black top She keeps talking she’ll be walking that last block She can take a subway back to the ghetto tonight Well I got some beer and the highway’s free And I got you and baby you’ve got me | | Hey hey hey what you say Sherry Darling (Sax solo) | | | | | | | | --5-5-|-5-6/8--8--8--8-6--|-6--6-6--5-|-3--3-5-6--5-|-5--5-5--6-|-6/8-/10--8--| --6-6-|-6-8/10-10-10-108--|-8--8-8--6-|-5--5-6-5--6-|-6--6-6--8-|-8/10/11--10-| ------|----s-----------s--|-----------|--------5----|-----------|--s----------| ------|------------|-----------|------------|-----------|------------| ------|------------|-----------|------------|-----------|------------| ------|------------|-----------|------------|-----------|------------| -8--10/12--13-|-13--13----13----|--13--| -10-11/13--10-|-10--10>11-10>11-|--10--| ------s-------|-------h-----h---|------| ------------|------------|------| ------------|------------|------| ------------|------------|------| Well let there be sunlight let there be rain Let the brokenhearted love again Sherry we could run with our arms open wide before the tide To all the girls down at Sacred Heart And all you operators back in the park Say hey hey hey what you say Sherry Darling Oh oh oh hey hey hey what you say Sherry Darling | | Oh come on say hey hey hey what you say Sherry Darling (Sax solo to fade out) | | | | | | | | | | | | | | | | | |

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Couverture du livre Ultra intelligence

À propos de la chanson

Cette chanson évoque un homme qui doit conduire sa mère au chômage chaque lundi matin, mais il est fatigué de cette routine et de ses plaintes. Au milieu du trafic, il se languit de moments de liberté et rêve de pouvoir passer du temps avec Sherry, la fille qu'il aime. Le narrateur jette un regard sur tout ce qu'il pourrait faire si seulement il n'avait pas à gérer cette situation compliquée avec sa mère. Le contexte met en lumière les tensions familiales et les désirs personnels, tout en évoquant une ambiance détendue de l'été, entre les filles sur la plage et la promesse d'une échappatoire. Les paroles contrastent les obligations domestiques avec le besoin de liberté et de connexion amoureuse.